An exotica timeline
How the style took shape in the 1950s and why it was named after Martin Denny's 1957 album "Exotica".
An independent magazine about unusual music. It is not a record label, production company or shop and has no connection with the former website on this domain; we do not sell or distribute recordings.
Collections
Collections are routes through the magazine. Each one gathers several sections around a single question: how the past imagined the exotic, what hides behind the words world music, where music ends and sound begins. We do not recommend specific albums (the only exception in the magazine is the 1957 "Exotica", mentioned as a historical fact); instead we suggest directions in which you will find your own.
A good collection doesn't tell you what to love. It shows you which way to turn your ear.
How this section works: a collection groups sections by direction or by a listener's question. It does not include rankings, "best of" lists or recommendations of specific releases.
For anyone curious about how studio music painted faraway places.
How the style took shape in the 1950s and why it was named after Martin Denny's 1957 album "Exotica".
Vibraphone, gong, bongos and birdcalls: we break down what the "exotic" sound is made of.
Why in this genre the artist and photographer mattered almost as much as the musicians.
For those who want to listen to the world's traditions more closely than a shop shelf allows.
How in 1987 British record companies came up with a category for shops, and what came of it.
Music recorded where it lives: at a celebration, in the street, at home. How to listen to such recordings and read the notes that come with them.
Where to look in the credits for the place and circumstances of a recording, and why that matters more than a catchy title.
CD catalogue (archive) (in Russian)
For those drawn to electronics, noise and instruments without the usual keys and strings.
Leon Theremin's 1920 instrument, played without being touched: how the hands control pitch and volume.
Springs, metal sheets, household objects and modified electronics: when anything that makes a sound becomes an instrument.
If a piece has no melody, listen for how the timbre develops, the density and the silences; a step-by-step breakdown will help.
The magazine's core topics and a catalogue of standalone articles for English-speaking readers.
How to choose a concert or festival of unusual music and what to bring along.
A short timeline: the theremin in 1920, 1950s exotica, the compact disc in 1982 and the world music label in 1987.
Historical information is based on music encyclopedias and reference works. Details of releases, concerts and venues change, so check them with publishers and organisers.