An independent magazine about unusual music. It is not a record label, production company or shop and has no connection with the former website on this domain; we do not sell or distribute recordings.

Articles

Articles

This page brings together the directions the magazine is built around, along with a catalogue of standalone articles. Each topic is not a genre shelf in a shop but a way of listening: we explain what lies behind the name, where to find verified information and how to approach a sound that still feels foreign to you.

A genre name is just a sign on the door. What matters is what plays behind it.

— Editor's thought

How this section works: a topic appears here if it can be covered without naming living musicians, without rankings and without advertising, through history, sound, instruments or listening habits.

Magazine topics

Six directions the magazine returns to most often.

Exotica

Light instrumental music from 1950s America, in which studio musicians conjured distant islands and jungles with percussion and the sounds of nature.

History

World music as a label

How a handy category for record shop shelves became the word still used for very different kinds of music from all over the world.

History

Experimental and electronic

Music in which sound itself takes centre stage: noise, synthesised timbres, tape techniques and unusual forms.

Analysis

Unusual instruments

From the theremin to household objects: how instruments work that you will never find in an ordinary orchestra.

Collections

Field recordings

Sounds and music recorded outside the studio: in the street, in a forest, at a village celebration. What makes such recordings valuable and how to listen to them.

Collections

The home collection

Credits on CDs and records, storing your media, cataloguing your collection: everything that helps you collect music thoughtfully.

CD card (archive) (in Russian)

Article catalogue for English-speaking readers

This is where the magazine's standalone articles, written specifically for English-speaking readers, will appear. They are original texts, not translations of material from other language versions of the site.

What the editors are working on

  • Tiki bars, hi-fi and the exotica craze of the 1950s
  • Why the theremin became the sound of science fiction
  • Recording your own neighbourhood: a first field recording
  • Reading the small print on a record sleeve

Editorial rules

  • Articles in this catalogue are written separately for each language version and are not translations.
  • Some articles link to third-party websites, including gaming services; we do not control their content, prices or terms.
  • We do not publish advertising for labels, shops or concerts, rankings, prices or reviews.
  • Collections

    Themed collections of directions for a first encounter with unusual music.

  • Analysis

    How to break down a track by timbre, rhythm, structure and recording quality, using hypothetical examples.

  • Archive

    All magazine sections grouped by topic, plus a note on the domain's archived addresses.

Sources

  • Music encyclopedias and reference works
  • Release credits: booklets and sleeves

Historical information is based on music encyclopedias and reference works. Details of releases, concerts and venues change, so check them with publishers and organisers.